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Friday, February 22, 2013

Where the Good Leaves Are – A Story About Finding the Best Opportunities

English: Yawning Vervet Monkey. Samburu Nation...

Yawning Vervet Monkey. Samburu National Reserve, Kenya. (Photo credit: Wikipedia)

Two monkeys, a father and his young son, were sitting in a large tree together.

The son turned to his dad and said, “I’m hungry, can you get me some leaves to eat?”

The father looked at his son and smiled, “Well, then you had better get some yourself.”

“But I don’t know how.” the son protested.

“You have a choice,”  responded the dad.  ”You can pick the dry, unpalatable leaves that are found near the trunk or you can go to the edge of the limbs and choose the freshest, most delectable leaves.”

“That’s not fair, why can’t the nicest leaves be found where everyone can get to them easily?”

“That’s just the point.  If everyone could get to them, they wouldn’t be so fresh.”

“But it’s risky to go out on the smaller branches.  They could break or I could lose my grip and fall!”

“Son, listen closely.  If you remember this, you’ll be successful in everything that you do and will always have the nicest leaves to eat.  When you take a risk and go out on a limb, the fall isn’t nearly as bad as it looks.”

“But why doesn’t every monkey go and get the fresh leaves?” asked the son.

“Because fear of perceived danger is a powerful motivator and too many monkeys would rather eat rubbish and complain about it than take a risk and go for what they really want.  The opportunities are out there son, go get them!”

Which leaves are you eating?

The safe, ordinary, common ones or the ones worth taking a risk for?

Does your cautiousness hold you back from getting the most out of life or are you going out on a limb to find the opportunities that few others are willing to take advantage of?

Do you look with a mix of envy and admiration at those who are doing what you want to do?

Or are you living a life of risk, knowing that the fall is rarely as bad as it looks?

Join us where the good leaves are.

It’s exhilarating!


Source : betterlifecoachingblog[dot]com

Art & Design Inspiration Fix for February 22nd 2013

The Art & Design Inspiration Fix pulls together a collection of my favourite graphical images that I’ve come across over the past week to give you a fix of creative inspiration. This week we have designs from DKNG Studios, ?rtomir Just, Martín Azambuja, Dan Christofferson and Craig Henry.

Big Top Pee-wee by DKNG Studios

Big Top Pee-wee by DKNG Studios

Revolved Forms by Crtomir Just

Revolved Forms by ?rtomir Just

Work Hard by Martín Azambuja

Work Hard by Martín Azambuja

Lone Wolf by Dan Christofferson

Lone Wolf by Dan Christofferson

Odin’s Son by Craig Henry

Odin's Son by Craig Henry


Source : internetwebsitedesign[dot]biz

Thursday, February 21, 2013

NewZoo Report: More than Half of All App Revenue is Coming From Games

newzoo spend

“In 2012, two out of every three dollars spent on tablets and smartphones was spent on games.”

That’s a very startling statistic, but according to NewZoo, a marketing research company specializing in the gaming industry, there’s plenty of money to be made in the business as long as you’re on the mobile side.

On the console side, things aren’t looking so good. XBox and Playstation are struggling to stay relevant as more and more consumers trade in their single-purpose, wired devices in favor of more portable options. But on the mobile side, NewZoo’s latest Mobile Games Trend Report shows that even though free games still rule, an increasing number of mobile users are willing to pay to play.

Here in the US, 33% of mobile gamers have laid out some cash. The UK does even better with 38% while Italy and Australia come in at 35%.

Let’s look at the numbers versus where we were last year:

newzoo game growthThe US saw a 34% increase in mobile gamers and a 35% increase in gamers who pay. The really crazy number — mobile gamers increased their time spent by 69%! I’d be appalled, if it wasn’t for the fact that I’m part of that number. A year ago, I might have played a round of Angry Birds a couple of times a week, but now I crack open an iPad game almost every day. And once I get started on Bejeweled, I’m in for at least 20 minutes.

I used to think of mobile games as a waste of time, but now I see them as a way to relax while I transition from work mode to non-work mode (which is trickier than you might think when you work from home.)

Which leads me to another interesting fact from this report: mobile gamers are split almost evenly between men and women, but when it comes to paying for the privileged, 61% of those are men.

And if you love demographics, you’ll love this one:

5,800,000 female mobile gamers who pay to play, shop at CVS.

I’m not sure what you can do with that information, but there it is. Use it to spark conversation over dinner tonight.

NewZoo says that service is the key to getting players to pay. You have to hook them with a free game then slip in paid upgrades and bonuses at a rate that is enticing but doesn’t frustrate the free player. It’s a very tricky wire to walk. I’ve played games that wouldn’t let me get past the first level without paying (delete) and ones that offered a cheat for a price (maybe, if I’m desperate). But the best games are the ones that I enjoy so much, I want to pay for additional levels. Those are rare, but when I find them, I hit the buy button.

Do you ever pay to play?

Join the Marketing Pilgrim Facebook Community


Source : internetwebsitedesign[dot]biz

Not All TV Viewers Watch on TVs: Nielsen Looks at Expanding the Ratings System

retro tvI watch a lot of TV, (no surprise to anyone who reads my work) but I don’t watch all of it on a TV. I watch on my iPad. I watch Netflix through my Blu-ray player and sometimes I watch online. Even when I’m watching the TV, I’m not always watching what’s on, as I often watch shows I recorded on the DVR or shows from the On Demand menu.

To think I grew up in a world with three networks, three UHF channels and no recording capabilities.

As fast as the TV landscape is changing, the method by which we measure success has fallen far behind. TV shows are still ranked based on Nielsen ratings which measures the estimated number of people who watched a show live on a TV.

A year or so ago, they cranked it up a notch, counting Live Plus 7. That picked up everyone who recorded a show and watched it back within the week. Many TV shows benefit greatly from this added count. Earlier this month, CBS’s detective series Elementary gained 4.27 million viewers when Nielsen added in the extra 7 days. Since ratings equal revenue (in the form of ad dollars), that gain is extremely important.

Networks such as The CW struggle to compete in the ratings but they get a boost from the millions of young viewers who tune in to their shows online or download them on iTunes. If that’s your target audience then the old school ratings system won’t help you find the most popular shows.

According to The Hollywood Reporter, Nielsen is seriously considering another change in the ratings system. This time, they want to expand beyond the wired TV, counting views on other devices such as gaming systems, tablets and computers. They could, in time, include ratings from online sources such as Netflix, Hulu and Amazon Instant.

This is great news for both the TV industry and TV fans because it means a clearer picture of how shows are really performing across all platforms.

On a larger scale, this is an indication of where we’re heading with all types of marketing measurements. We can’t just look at how many people logged on from their computer. We need to count the smartphone users and the tablet users. The ones who visit your social media pages and who share what they found there with others. Straight traffic into a site isn’t a measure of success. Neither is 5,000 followers on your Facebook page. We have to look at how consumers are interacting with the brand across the board. That’s how you find out whether or not what you’re doing is working.

And maybe after Nielsen gets their new system up and running, networks will stop canceling my favorite shows just because people watch them on a device that isn’t a traditional TV.


Source : internetwebsitedesign[dot]biz

Love, Relationships and SEO

Love, Relationships and SEO was originally published on BruceClay.com, home of expert search engine optimization tips.

Even though it’s past Valentine’s Day, love is still in the air with “The Love Edition” of our SEO Newsletter. This month, we speak with author and consultant Rob Garner, formerly of iCrossing, on the search and social love connection. We also dive into the importance of having a marketing mindset to enhance your keyword research. And as always, we bring you news and hot topics from the tech and search industry so you can stay in the know.

Here’s the highlights …

The “Search and Social” Love Connection

Virginia Nussey dives into the harmonious relationship that is search and social in this month’s feature story interview with Rob Garner (@RobGarner), extracting insight into questions like:

  1. What will businesses lose by keeping SEO and social media marketing separate?h
  2. For organizations that currently have separate search and social marketing departments, how can the merge be best transitioned?
  3. Are there missed opportunities for marketing and visibility where search and social meet?
  4. Do you have advice for integrating and leveraging search and social with other marketing channels?
  5. How can a business discover the right synergies to boost their current marketing efforts?
  6. It’s impossible to give one-size-fits-all advice on this issue, but what signs should a business look for when deciding which social channels to invest in?
  7. Is the search and social manager excellent at all areas or is a team with members for each specialty?
  8. What do you think the hybrid search-and-social professional looks like for the average small to mid-size business?
  9. Do you think all businesses today need to develop a brand personality to be successful?
  10. Can you explain more about social relevancy and how to calculate it and optimize for it?

Tune into this month’s feature on search and social for Rob Garner’s take on these questions.

Marketing and Keyword Research, Happily Ever After

Each marketer has a special relationship with his or her keyword research – what tools they use, how they select and target the keywords and so on. In this article for February’s Back to Basics piece, yours truly dives into how to approach keyword research with a more traditional marketing mindset to enhance the outcome.

In this article on the connection between marketing and keyword research, we cover how to:

  • Have the right conversations about the business so you can expand on the keyword research.
  • Know where the business is headed and how it will affect your keywords and SEO campaigns.
  • Understand the organization and its offerings thoroughly so you know the proper usage of keywords and best course of action for content.

Don’t have time to keep up on everything that’s going on in the industry? That’s OK, each month we bring you hand-picked news from tech and search to keep you entertained and informed. Check out all the happenings in our news section embedded in the cover of the SEO Newsletter here.

xoxo,

BCI Crew


Source : internetwebsitedesign[dot]biz

Pinterest RePins Its Social Media Prowess with $200 Million in New Funding

Earlier this month, Search Engine Journal reported that Pinterest was seeking a fresh infusion of cash after a phenomenal year of growth.  Yesterday the virtual pin board company confirmed that it had secured $200 million in new funding and has now been valued at $2.5 billion.  ”Our focus is on helping millions of people discover [...]

Author information

Michelle Stinson Ross
Social Media Consultant at Firestarter Social Media
Michelle is the co-host of the popular Social Media discussion group #SocialChat, blogger, and Social Media Advocate/Consultant +Michelle Stinson Ross

The post Pinterest RePins Its Social Media Prowess with $200 Million in New Funding appeared first on Search Engine Journal.


Source : internetwebsitedesign[dot]biz

How to Build an Affiliate Website Google Doesn’t Hate

In over a decade of working on websites I’ve see a lot of affiliate websites. Some were good but a lot were very bad. In this post, I’ll share my experiences about what I think Google is looking for and the common traits of things I’ve seen fail. Single Offer Website When I first started, [...]

This post originally came from How to Build an Affiliate Website Google Doesn’t Hate

  • Can Google Detect an Affiliate Website One of the questions that often comes up is does...
  • How to Build Website Trust and Authority While Google’s Panda update has many different aspects, one thing...
  • Cloaking Affiliate Links, How and Why Today’s topic is one that gets asked about pretty regularly,...
  • How to Mask Affiliate Links How to mask affiliate links is one of the most...
  • How Google’s Javascript Bot Can Kill Your Website In recent years due to developers misguided attempts to make...

  • Source : internetwebsitedesign[dot]biz

    Politician Pushes for Anti-Anonymity in Illinois

    Take off the maskNot like there aren’t about a million different ways to approach this kind of story but let’s first look at the basics.

    In Illinois, state senator Ira Silverstein (D) has put forth a bill that would require anonymous commenters online to reveal their identity if they want their comments to remain online. The Daily Caller reports

    A recently introduced bill in the Illinois state Senate would require anonymous website comment posters to reveal their identities if they want to keep their comments online.

    The bill, called the Internet Posting Removal Act, is sponsored by Illinois state Sen. Ira Silverstein. It states that a “web site administrator upon request shall remove any comments posted on his or her web site by an anonymous poster unless the anonymous poster agrees to attach his or her name to the post and confirms that his or her IP address, legal name, and home address are accurate.”

    Anonymity online has been a foundational principle from the get-go but has come under attack from time to time. On a personal note (and I realize that I run counter to most Internet types with this opinion) I think that while anonymity may be something to be protected it sometimes ends up doing more harm than good. To me it’s simple, if you don’t have the stones to attach your name to your comments then why should anyone care what you think? Also, the online equivalent of ‘beer muscles’ or ‘liquid courage’ is amplified when someone can hide in plain sight and say whatever inflammatory remarks they want to simply tick people off and create dissension.

    Having said that the ‘right’ of online anonymity has been protected more often than not.

    Pseudonymous and anonymous comments have long been a critical part of U.S. public discourse, though, and the bill may be on shaky legal ground.

    The Electronic Frontier Foundation (EFF) noted on its website that the “right to anonymous speech is also protected well beyond the printed page.”

    “Thus in 2002 the Supreme Court struck down a law requiring proselytizers to register their true names with the mayor’s office before going door-to-door,” wrote EFF, noting that the Supreme Court protects Internet commentary as it does pamphleteering.

    There is more to consider here like the passage of such a law in Arizona in 2012 (which had to be modified to get through) but the concern for marketers should simply be how rules like this could shape discourse online and thus impact messaging in the online space.

    Where do you stand on online anonymity as it relates to comments on a site? For it? Against it? See both sides of it? Let us know either with your real name or not in the comments here. You’re safe for now, either way.


    Source : internetwebsitedesign[dot]biz

    Solved: How to check if memcache or memcached is installed and running or not on Server Using PHP

    After doing some R&D I figured out how to fix the issue with memcache installtion or class

    many time we got the following message, If memcahed server is not running.

    Memcache::connect(): Server localhost (tcp 11211) failed with: Connection refused

    To fix the following issue I written the following Code

    if(class_exists('Memcache') && extension_loaded('memcache') && function_exists('memcache_<div dir="ltr"><wbr />connect')) { //Checks on Server Memcache is installed or not$memcache = new Memcache();         $connection = @fsockopen('localhost', 11211); //Check port is open and forwarded using fsockopenif (is_resource($connection)) {$isMemcacheAvailable = $memcache->connect('localhost'<wbr />, 11211);             $cache->setMemcache($memcache)<wbr />;} else {error_log('Memcache Server is not running');}} else {error_log('Memcache is not installed on your Server');     }if ($isMemcacheAvailable) {$aData = $memcache->get('data');}

    Above code will solve every issue.


    Source : digcms[dot]com

    Wireframing and Sketching for Web Designers: Tools, Utilities and Reasons

    A website wireframe is a visual guide, or a skeletal framework that will help you define your future website’s characteristics. By wireframing you are basically defining the primary steps and the shape your website or product is going to have. One of the main purposes of wireframing is to set the main priorities and describe the functionality of your future creation.

    Wireframing and Sketching for Web Designers: Tools, Utilities and Reasons

    Blueprints and various grids are what define the basic sketch and wireframe, and even if most of the times we use those in the design phase, having a basic grid and a proper padding is definitely going to help you avoid messy sketches/wireframes & prototypes.

    Why do Wireframing?

    instantShift - Wireframing
    Wireframe sketches (image credits: flickr)

    Well, in case you are wondering why wireframing is worth it, then you should know that it is one of the crucial steps for a successful website. I consider wireframing an important step because it focuses on various things, including:

    • Describe website’s functionality:

      Even if a website’s functionality is mostly defined in the development phase, you can mock-up and explain the functionality of a specific element, widget or section in the design and wireframe/prototyping phase as well. Do that by making use of small drawings or explanation paragraphs.

    • The Rules & Guidelines of Displaying Info:

      Wireframes can also be used for displaying various rules or guidelines that will be used in the next steps of designing and developing. Some of them may include but are not limited to grids, padding and spacing rules for widgets/elements.

    • Scenarios and “on-Hover” effects:

      Other things that can be planned in a wireframe are possible scenarions and effects, such as the states of a CTA button (static, on-click and hovered). That is something that mustn’t be given much details yet proper planning is indeed crucial.

    • Research:

      Research is another important factor that will either lead you to success or two a failure, and when talking about research, you don’t always mean the idea itself, but also the technical details related to your website. Things to consider are: colours, sizes, typography and typefaces etc.

    Wireframes and Client Work

    Have you ever thought that wireframes, or prototypes which are sort-of improved versions of wireframes can help you with client work, especially in those first rounds of revisions. Many times you end up spending a lot of time on client work which might, or might not yield into a rejection. The last thing you’d like to see is actually face a rejection on a project you spent a lot of time, only because a misunderstood happened, or you didn’t understand what your client needs exactly. That’s when sketches and wireframes come in-hand. It’s very easy to settle on details with your clients when you have some detailed sketches and mock-ups in front. If you’re clients are happy revising those, then I can’t think of a reason why you wouldn’t want to apply such techniques.

    Tools for Wireframing

    It is actually very easy to get started with wireframing, and the most simple way would consist of a simple paper and a pencil/pen and your creativity. Nothing else you need for the most basic sketch, but if you want to take your sketches, wireframes and prototypes to a next level, then the tools described below will come in-handy for all your next projects.

    DOTGRID.CO

    instantShift - DOTGRID.CO

    Dot Grid notebooks is a pretty “fresh” product that was announced recently, which is a product by Callum Chapman and Steve Vince. It’s very likely you’ll recognize at least one of their names, but I don’t say that you should take their name for it! I can say that their notebooks are of a very good quality and priced accordingly. I’d rather say that the price for their A4/A5 notebooks is very good, comparing all the alternative products that are available as of now. These notebooks are said to have a water resistant cover and are made of paper from sustainable forests.

    Behance’s Creative Outfitter: Action Method

    instantShift - Behance’s Creative Outfitter: Action Method

    In the last years, Behance has become more and more popular among web and UI designers, which is probably why Behance has decided to open their shop with various products, from clothing to various journals and books that would help you with your sketches. On their official store, there are more-or-less, 20+ products in the “print” category alone. The range is various, starting from very small “pads” and “action runners” to dotted sheets and books. The pricing is pretty affordable as well, starting at $6 up to $25. They are also offering some nice accessories and tools that you can easily hook up with the books you might consider getting at the Behance store.

    Prototyping Tools

    As mentioned above, I’d call prototyping the next level for your sketches and wireframes, which usually are better “visual representations” of your mock-up, but only refined, improved and fixed. That’s why that when it’s the time to take your projects to a next level, you have to “move” them to digital versions, that’s when the tools explained below come in-handy.

    UX Pin

    instantShift - UX Pin

    One of the best wireframing tools for design that comes to my mind is UXPin. It’s described as a tool built by UX designers for the very same designers. User experience and usability is a very important factor, its principles being applied by the majority, which makes UXPin another better product. Whether you are an expert or you are only starting out, UXPin is definitely something you’d like to consider as it is oriented at both, professionals and starters.

    OmniGraffle

    instantShift - OmniGraffle

    Omnigraffle is an application for MAC OS that makes it a lot easier to create charts, page-layouts, shapes, documents and wireframes. It’s highly recommended because it’s very simple, intuitive and beautiful UI will make you feel really comfortable using/managing it. Unfortunately it is not available for Windows, but if you’re still getting it, a free version of the application is available for download.

    Smart Draw

    instantShift - Smart Draw

    SmartDraw is another solution for desktop-based wireframing, being a windows alternative for the Omnigraffle application. The same with the previous application, you can get a free trial and a full version of the application. It has a slightly unattractive user interface, but they do offer support and training for their application so no doubts you’ll get the job easily done.

    Beautiful Examples of Sketches

    High On Pixels

    instantShift - High On Pixels

    Dragon Button Sketch

    instantShift - Dragon Button Sketch

    Map on Hover Sketch

    instantShift - Map on Hover Sketch

    Icon Set Sketch

    instantShift - Icon Set Sketch

    iOS Game Chaps!

    instantShift - iOS Game Chaps!

    Icons Sketch

    instantShift - Icons Sketch

    Skill Tree for iPad RPG

    instantShift - Skill Tree for iPad RPG

    Character Sketch

    instantShift - Character Sketch

    Tiny bird Sketch of an iOS Application

    instantShift - Tiny bird Sketch of an iOS Application

    Visit InstantShift


    Source : internetwebsitedesign[dot]biz

    8 Strategies to Get Multiple First Page Rankings on Google

    Remember “the good ol’ days” when Google search result pages were clean, simple pages with 10 results and a few ads? For better or for worse, those days have disappeared like Severus Snape being confronted with shampoo. While some users may lament the more cluttered search pages, the “new normal” does offer more opportunities to [...]

    Author information

    Chris Ainsworth
    Chris Ainsworth is Senior SEO Consultant at High Position, a leading UK based digital marketing agency. With 9 years experience within the online marketing sector Chris has a deep technical knowledge of all things SEO. For more info, follow Chris via @chrisains or Google+.

    The post 8 Strategies to Get Multiple First Page Rankings on Google appeared first on Search Engine Journal.


    Source : internetwebsitedesign[dot]biz

    Optimizing Your Store: Add to Cart Rate, How to Increase it? [S02.E04]

    Optimizing Your Store: Add to Cart Rate, How to Increase it? [S02.E04]The add to cart rate has a lot in common with the cause of the cart abandonment rate as in both cases the percentage shows the amount of carts that were filled with some products and for some reason were then abandoned.

    Add to Cart percentage is one of a “metrics trinity” that help define the overall success rate of the store. The other two are Bounce Rate and Cart Completion.
     
     
    This is the next episode of the “Optimizing Your Store” series, here are the themes we’ve already covered:

    What every shop owner wants is to make the user add products to the cart, and later tell success stories about himself, his awesome store and what an ideal conversion rate he has etc.

    One of my friends has got an online store and sells iPhone cases. He was so mad about the products dropped in the cart that he said, “if I wanted more add to carts, I would simply remove all other elements or trick them into clicking, but it will not result in more revenue…”

    In case you care, and you think your cart needs to be optimized the answer is: yes, add-to-cart improvements can make a significant impact to conversion rates, contingent on whether the higher performance was a result of overcoming an issue on the website; like difficulty locating a product or lower hierarchical placement of add-to-cart on shopping pages.

    From time to time a company will release research or a survey considering the most obvious themes. For example a study by PayPal and ComScore revealed 45% of US online shoppers abandoned shopping carts several times in just three weeks. Duh! But the worst thing is that the average cost of abandoned goods in those shopping carts was $109. “Not much”, some would say…but, if you then consider there are more than 200 million online shoppers,(200*45%*109=9.810) that’s $9.810m left unspent every week!!!

    One of the possible reasons why $100 carts are abandoned is simply the psychological impact of a triple-digit sum: $100 is not perceived as $99 or as $99.9 or less.

    The same study showed that for 46% of online shoppers high shipping charges were a “very important reason” for emptying carts.


    Other possible reasons include:

    • Wanted to compare prices – 37%;
    • Lacked money – 36%;
    • Needed coupon – 27%;
    • Wanted to shop offline – 26%;
    • Couldn’t find preferable pay option – 24%;
    • Couldn’t reach customer support – 22%;
    • Security issues – 21%.

    Specialists have found that most often customers leave carts with products totaling $50 and less. This can be easily explained…shipping costs. For example: the sweater costs $18 – the shipping costs is $15!!!, customers will definitely jump off.

    Carts with products that cost more than $100 are half as likely to be abandoned than more expensive ones.

    A sharp increase in the “abandon rate” is noted somewhere near $250, $400 and $500. This is because carts with very expensive products require special attention, if customers don’t get that special treatment they press the red cross.

    When you know that the cart can be abandoned because of the product price you need to keep in mind the “most dangerous” prices. In this way you will develop an optimization strategy that will definitely help restore abandoned carts thus turning add-to-carts into successful purchases.

    What to do?

    1. Divide abandoned carts into several categories with low, medium and high overall cost of products.

    2. In a cart with a low cost, pay attention to the ratio of delivery price compared to product price. To resolve this customer’s frustration you need to set the shipping price at no more than 20% of the total price of products in the cart.

    3. Identify the critical price points that meet a sharp increase of the number of abandoned carts. This is a good baseline data for setting the threshold of a free delivery.

    4. Test your threshold of free shipping. Representatives of Elastic Path, on the basis of A/B test, found that conversion does not change if the free delivery threshold ranges from $60 to $100. You can be sure that the threshold is selected correctly by measuring simultaneously the conversion rate/number of abandoned carts, average cost of products in cart and revenue.

    5. Guys from SeeWhy recommend exploring cart abandonment rate of individual products, by analyzing products price and cost of delivery in order to identify reasons why exactly these specific products get abandoned. For example, an option like “buy online, get in store” can improve the conversion for some products.

    6. Think about psychology of pricing when determining threshold of delivery. SeeWhy guys gave examples of good psychological tactics, used the one by Macy’s. Instead of a threshold of $100, they offer free shipping for carts with a total price of $99 and above.

    7. Run remarketing email campaign (to restore baskets), based on the total value of products in the cart. Consider the fact that people who left carts with low and high costs, need to be motivated with various price offers.

    ***

    When it comes to using some psychological tricks you need to pay attention to the colors you’re using, since they have the strongest influence on customers’ desire to stay or leave.

    Following resources will help to find and solve mistakes in your eCommerce resource if there are any, considering cart design, use of color and CTA add-to-cart buttons:

    Also check out these cool slideshows dedicated to cart optimization.

    Source: Matthieu Dejardins

    Source: WiTH Collective

    To conclude

    One of the best solutions of fighting abandoned carts is an email. Give them “a juicy donut” i.e. the discount, promo-code, free shipping, coupon or gift. Don’t forget to work on the usability of an online store; a checkout with more than one step is no longer mainstream, users hate going through multiple pages when buying something inexpensive with overpriced shipping.


    Source : blog[dot]templatemonster[dot]com

    Site From Scratch: Localmost (Part 1, Design)

    This is Part 1 of the 3 part series, "Site From Scratch: Localmost". In Part 1, we'll be designing a dark and sleek web layout in Photoshop. I will walk you step by step through the process in designing our fictitious company's layout. In Part 2, we'll be moving our design to the web using clean, semantic, and valid HTML & CSS. Finally, in Part 3, we'll be adding the interactive elements, the bells, and the whistles with my favorite javascript library, jQuery. So, I hope you're ready for the first installment of Site From Scratch, let's get started on Part 1: Design.

    Introduction (Part 1, Design)

    Everyone has their own ways of designing for the web using Photoshop. There are typically numerous techniques available to achieve the same, or similar, results. I've recently migrated to Fireworks for my interface designing, but thought it would be best if the first installment of Site From Scratch were in a more familiar, or popular, tool like Photoshop. If you are following this tutorial and find me using a technique that you find tedious, or you have a more efficient way of achieving the same result, by all means, let us know!

    Site From Scratch: Localmost
    1. Part 1: Design
    2. Part 2: HTML & CSS (Coming Soon!)
    3. Part 3: Interaction (Coming Soon!)

    Localmost is a fictitious company we're using for our Site From Scratch model. I'm using CS4, but I'm pretty sure everything we're doing in this tutorial can be done in any CS version of Photoshop. If you have any problems implementing any of the tutorial, please feel free to ask questions in the comments.

    Step 1

    We'll be creating Localmost with a width of 960px so go ahead and create a new Photoshop file and give it a size of 1160 x 1200px.

    tutorial image
    Guides

    Let's set up some guides to start our document. To do this go to View > New Guide and set the following guides:

    Vertical
    • 100px
    • 110px
    • 580px
    • 1050px
    • 1060px
    Horizontal
    • 90px
    • 440px
    • 1150px

    If you downloaded the source files, I already did this for you. ;)

    Color Palette

    This is the color palette we'll be basing our layout on. If you downloaded the source files, I've included an adobe swatch exchange (.ase) file.

    tutorial image

    Step 2

    Fill background layer with #473743. Double click the background layer and rename it "Main Background".

    We want to add some noise to our background layer, but want it to be done in a non-destructive manner so let's convert it for smart filters. Go to Filter > Convert for Smart Filters.

    Now let's add some noise. Go to Filter > Noise > Add Noise and give it an amount value of 1%, select Gaussian, and make sure Monochromatic is unchecked.

    tutorial image

    Step 3

    Change your foreground color to #332a32 tutorial image. Starting from the 90px horizontal guide and finishing at the 440px horizontal guide, create a new rectangle shape wider than your document width. If you used the guides (90px and 440px) you should end up with a rectangle with a height of 350px. Hint: it's easier if you go to View > Snap To > Guides.

    tutorial image

    Convert the rectangle layer for smart filters (Filter > Convert for Smart Filters ), like we did with the Main Background layer. Now apply the same Filter > Noise > Add Noise settings as we did with the Main Background layer. Rename this layer "Large Header BG". With the Large Header BG layer selected, click on the layer styles (at the bottom of your layers palette) icon and select Stroke. Use the following settings:

    tutorial image
    tutorial image

    You should now have 2 layers; Main Background and Large Header BG.

    tutorial image

    Step 4

    We want to give our Large Header BG some depth by adding a subtle shadow to the top and bottom edges. Create a new blank layer above Large Header BG and name it Large Header Shadow Btm. You should now have 3 layers total.

    tutorial image

    We'll create the bottom shadow first. Make sure you're on your new layer, Large Header Shadow Btm. From the 440px horizontal guide create a marquee selection 10px high and 100% the width of the Large Header BG.

    tutorial image

    Zoom in and nudge your marquee selection just above the Large Header BG stroke line.

    tutorial image
    Noobnote:

    To nudge a marquee selection, you must have the marquee selection tool selected. Once it's selected, just simply use the arrows on your keyboard to nudge it in place.

    Once you have your selection ready, select the gradient tool tutorial image, set your foreground color to black (000000), select linear gradient, and choose "Foreground to Transparent" from your gradient options in the top left.

    tutorial image

    Start from the bottom of the marquee selection and create a gradient up about 5px (half the marquee selection).

    tutorial image

    Now drop the opacity of this layer to 25%.

    tutorial image

    Once you're happy with the shadow, duplicate the Large Header Shadow Btm layer and rename it Large Header Shadow Top. With your new layer selected (Large Header Shadow Top) go to Edit > Transform > Flip Vertical and move it up to the 90px horizontal guide just below the stroke line.

    tutorial image

    Group all Large Header layers together by selecting all 3 (Large Header BG, Large Header Shadow Btm, Large Header Shadow Top) in the layers palette and clicking the "Create a new group" icon tutorial image at the bottom of the layers palette. You should now have 3 layers grouped together. I named my group "Large Header".

    tutorial image

    Step 5

    Duplicate your "Large Header" group by right-clicking and choosing "Duplicate Group", or by going to Layer > Duplicate Group. Once it's been duplicated, change the name of your new group to "Footer". Select the "Footer" group and move it just below the 1150px horizontal guide. Go ahead and rename the layers accordingly, and you can delete the Large Header Shadow Btm layer from the "Footer" group since it won't be needed.

    tutorial image
    Step 6

    Create a new blank layer inside the Large Header group, just above the Large Header BG layer. Name this layer "Large Header Gradient". Change your Foreground color to White (#FFFFFF). Select the gradient tool tutorial image, and choose "Foreground to Transparent" in your gradient options, as well as the Radial Gradient option. Create a gradient based on the image below.

    tutorial image

    You should have a radial gradient similar to the image below.

    tutorial image

    Drop the opacity to 5-10%, whatever makes you happy. I went with 5%. Then right click your radial gradient layer and choose "Create Clipping Mask" (or go to Layer > Create Clipping Mask). Make sure your layer is above the Large Header BG layer.

    tutorial image

    Step 7

    We're going to create a simple logo for Localmost real quick. Before we start, go ahead and download the ATCrillee font (the download link is hiding amongst their Google Adsense on the right). We'll be using this for the logo, as well as branding throughout our layout. You can choose to use a different font, if you wish. I'll be using ATCrillee Bold Italic.

    Let's start out by going to Photoshop's shape tool tutorial image and choosing custom shape tutorial image. Go to your custom shape choices and choose the "campfire" shape (it's easiest to list "All" of your shapes). Change the color to #fb810a.

    tutorial image

    Make sure in your shape options (top left) you have "Shape Layer" selected. In the top left of your layout, just right of the 110px horizontal guide, hold shift and drag a campfire shape, approximately 60px in height.

    tutorial image
    Noobnote:

    When using the info palette, your measurements may not be in pixels. To change your unit preference, go to Edit > Preferences > Units & Rulers. Just adjust the Rulers via the dropdown options.

    Now rasterize the shape layer by right clicking it and choosing "Rasterize Layer", or Layer > Rasterize > Shape.

    tutorial image

    Once it's rasterized, use the rectangle marquee selection tool and delete the wooded portion of the "campfire" shape.

    tutorial image

    If you have any remnants left of the "wood", just use the marquee selection tool and delete it as well.

    Click the Layer Styles tutorial image icon and apply the following Stroke and Gradient settings.

    tutorial image

    Now put some text next to it using the ATCrillee font. I also put a 1px black stroke (20% opacity) around the text layer and gave it some spacing between the letters.

    tutorial image

    I grouped my two logo layers together and named them accordingly.

    tutorial image

    Step 8

    We're just going to add a basic navigation menu to the right of our layout.

    tutorial image

    Step 9

    Group the Nav Menu text layer and the Logo Group Layer together. I named the group "Top Header".

    tutorial image

    Step 10

    In our Large Header or secondary header, if you will, we are going to add some "introduction" copy. Let's start with the title text "Get the most out of localhost". I'm using a 30px font size, ATCrillee, and the color #a2badb.

    tutorial image

    Let's play off of the brand name "Localmost" and put emphasis on the word "most" in our title. Let's change the color of the word to #fb810a and add an underline.

    tutorial image

    Now we'll add a drop shadow and gradient overlay to our title. Go ahead and click on the layer styles icon tutorial image at the bottom of your layers palette and add the following styles.

    tutorial image

    I added some filler text below our title, using lipsum.com. I used Arial for my font, gave it a size of 18px, and a font color #f2f7fb.

    tutorial image
    Noobnote:

    Some of you may be wondering how and/or why I'm using pixels in my font sizes. Photoshop default settings have fonts measured in points. Because we're designing a web layout, I'm using pixels. To change how your font sizes are measured, simply go to Edit > Preferences > Units & Rulers..

    Step 11

    Let's create a call to action button right below our intro text. This will be our "Take a Tour" button. Select your rounded rectangle tool. In the tool options (top left) change the radius to 5px and make its color #fb810a. Go ahead and draw a rounded rectangle approximately 150 x 35px.

    tutorial image

    Now give our new button the following layer styles:

    tutorial image

    You should now have something similar to what I've got.

    tutorial image

    Now, let's add some text. I used white for my text color (#FFFFFF) and centered it inside of our button background. I also added a subtle drop shadow to the text.

    tutorial image

    Step 12

    In the Source Files, I included an image with the name "screenshot.png". Go to File > Place and locate screenshot.png and place it on your layout. Position it to the right guide. Keep in mind that the image has a shadow 5px all around it, so be sure to align the screenshot.png image to the 1050px vertical guide as pictured below.

    tutorial image

    Once you have it where you want it, you should now be ready to add the main content!

    tutorial image

    Step 13

    Before we get started on the main content, let's go ahead and add 2 more vertical guides. Add a vertical guide at 770px and 790px.

    tutorial image

    Now it's time to download the WebAppers Free Web Application Icons Set. Once you have it downloaded go ahead and go to File > Place and locate and choose, from the PNG-48 folder, the Add.png icon. Place it on the left main content section of the page, just about 50px from the Large Header.

    tutorial image

    Step 14

    Now we need to emulate a "text-wrap" effect. To do this we're going to be drawing some rectangle paths and path combining techniques discussed in the Noobcube Quick Tip article "Combining Shapes in Photoshop".

    Let's start out by selecting the rectangle shape tool, selecting the "paths" option in the toolbar, and drawing a rectangle approximately 300 x 80px as seen below.

    tutorial image

    Now we want to delete a portion of this path. We do so by switching to "Subtract from path area" in our path options and drawing a square approximately 55 x 55px over the top left portion of our original rectangle path.

    tutorial image

    Now you need to choose the Path Selection Tool from your tool palette.

    tutorial image

    Holding shift down, select both rectangle paths. You'll know they're both selected because all the path anchors are solid.

    tutorial image

    Now go to the Path Selection Options in the top left, and click on the "Combine" button.

    tutorial image

    You should now have one path that looks like the one below.

    tutorial image

    Select your text tool, and click anywhere inside the path and begin typing. You'll now notice you're typing inside the path. I pasted some more text from the Lipsum site and decided to adjust the height of our now Text Path until I was happy with how the text wrapped.

    tutorial image

    I then added a title using the ATCrillee Bold Italic font (size 20px), with the color #a2badb, and added the following Layer Styles:

    tutorial image

    You should now have something similar to what I have below.

    tutorial image

    I want to give the title text and description text some breathing room, so I nudged the description text down about 5px.

    tutorial image

    To make things a bit cleaner, go ahead and combine the new layers into a group. I called my group "Feature 1".

    tutorial image

    Step 15

    For the 3 other features, I just duplicated the Feature 1 group, and replaced the text and icons. You can duplicate the group by right clicking and choosing "Duplicate Group", or simply go to Layer > Duplicate Group.

    tutorial image

    Step 16

    We're going to create a "Download Trial" button, so let's start by picking the Rounded Rectangle Shape tool. We are going to be placing this on the top right of our "Main Content" area. We'll start with a a fixed size rounded rectangle. Choose these options for your rounded rectangle:

    tutorial image

    So we have a 5px radius, and a fixed size of 258 x 68px. You may be asking why such an off size? Well, we're going to be adding a 1px stroke to our button rounding it off to a size of 260 x 70px.

    tutorial image

    Add the following layer styles to your rounded rectangle.

    tutorial image

    Now your rounded rectangle should be sitting nice and snug between the two guides.

    tutorial image

    Using the Ellipse Shape tool, create an ellipse using #f2f7fb for the color, and using the info palette to make it 48 x 48px.

    tutorial image

    Add a 1px stroke to your ellipse layer.

    tutorial image

    Using the WebAppers Free Web Application Icons Set, place the Save.png icon in the center of your ellipse. I used the Save.png icon from the PNG-32 folder.

    tutorial image

    Just add the text "DOWNLOAD TRIAL" using Arial Bold (18px) and white. I also added a slight drop shadow to it. I then added the text "Get the full version for 30 days" under it. This text was also White, Arial Regular, and 12px.

    tutorial image

    Step 18

    We're going to create another rounded rectangle below the "Download Trial" button. We're going to be adding a 1px stroke around it so we're leaving room for it between the guides.

    tutorial image

    Next, let's give our rounded rectangle a 1px white stroke at 10% opacity.

    tutorial image

    Now add the text "Sign up for app updates" using the ATCrillee Bold Italic font (color: #a2badb; font size: 18px). Add the following layer styles to this layer:

    tutorial image

    I added a little more text using Arial Regular just below it.

    tutorial image

    Add a rectangle shape for our Input Field using #473743 for the color. Add a 1px white stroke at 10% opacity using layer styles.

    tutorial image

    For the Submit button, create a rounded rectangle (approx. 85 x 25px) using #fb810a for its color, and add the following styles to it:

    tutorial image

    Add the "SUBMIT" text to the button, and "Email Address" inside the input box, and you should now have something similar to what I have.

    tutorial image

    Step 18

    Select the Marquee Selection tool from your tool palette. Go to the drop down menu titled "Style" in the options bar and choose "Fixed Position". Input 960px for width and the 1px for height. Then create a marquee selection about 30-40px below our "Main Content" area. Make sure you zoom in and see that your selection is within the outside guides.

    tutorial image

    Create a new layer and fill the marquee selection with #332a32. Duplicate the layer by hitting Ctrl + J (Mac: Cmd + J) or by going to Layer > Duplicate Layer. Nudge the duplicate layer down 1px. Hold Ctrl (Mac: Cmd) and click on the duplicate layer's thumbnail to put a marquee selection around it and fill it with #574853.

    tutorial image

    We're going to fade out the edges of our bevel by using a masking technique. First, group both horizontal lines together. I called the group "Beveled Border". Select the Group in your Layers Palette and click on the "Add a Vector Mask" icon tutorial image at the bottom of your layers palette.

    tutorial image

    Select the Gradient Tool tutorial image. Hit "D" on your keyboard to reset your foreground color to Black and your background color to White. Then hit "X" to reverse your foreground and background colors. You should now have White as a foreground color and Black as a background color. Select "Foreground to Background" from your Gradient Options in the top left. Choose "Radial Gradient".

    tutorial image

    Click inside the "Layer Mask Thumbnail" of your "Beveled Border" group. You'll know when you have it selected because there will be a black border around it. Take your radial gradient cursor and start from the middle Vertical Guide and drag to the top of your layout.

    tutorial image
    Noobnote:

    How the mask works is simple. Whatever is "painted" with Black will not be visible. Whatever is "painted" with White will be visible.

    If you don't get it right the first time, just Undo and try it again until you're happy with the results. You should see a subtle "fade out" on both sides of your beveled border.

    tutorial image

    Step 19

    For the next section of our layout, we'll be creating the tabs container you see in our final demo. In Part 3 of Site From Scratch: Localmost we'll be using jQuery to bring this to life. For now, let's add some new guides to our layout to help position our tabs.

    We're ultimately going to want 4 tabs; each tab having a width of 240px. Having 4 tabs with a width of 240px equals 960px (the width of our page content). Each tab will have a 10px gutter on each side, so the 4 sections will have a content area 220px wide.

    Add the following Vertical Guides:

    • 330px
    • 340px
    • 350px
    • 570px
    • 580px (You should already have this guide. It marks the horizontal center of our layout.)
    • 590px
    • 810px
    • 820px
    • 830px
    tutorial image

    Step 20

    Create a fixed size Rounded Rectangle with a width of 960px and a height of 250px. We'll stick with the radius of 5px like we've done with the other rounded rectangles in our layout. Create this shape using #f2f7fb for the color. Place it in between our main layout guides (100px and 1060px).

    tutorial image

    Step 21

    Our Tabs are going to have a height of 50px, so let's create a couple Horizontal Guides to help guide us. We want our tabs to be 40px below our beveled border, so let's create a horizontal guide at 795px. This will represent the top of our tabs, so we want another horizontal guide 50px below the 795px guide. Create another horizontal guide at 845px.

    tutorial image

    Step 22

    Create another Rounded Rectangle, this time with a width of 240px and a height of 250px. Use the same color and radius as the last rounded rectangle. Position this shape's top left corner to our Horizontal Guide of 795px and Vertical Guide of 100px.

    tutorial image

    Step 23

    Duplicate this layer and move the duplicate layer right next to the original shape. Change this shape color to #000000. Drop the opacity to 15%.

    tutorial image

    Go ahead and move this layer below the main tab content area. Do some organization by grouping the layers and naming them accordingly.

    tutorial image

    This Layer is not needed for the time being. It's going to be used as a "Hover state". For now you can hide the layer by clicking on the eye icon to the left of the layer.

    Step 24

    If you remember how we combined paths from Step 14, we're going to do something similar by combining our two tab shapes into one. This method is discussed in the Noobcube Quick Tip article "Combining Shapes in Photoshop".

    In your layers palette, click on the "Tab Content" layer's Vector Mask Thumbnail (the one on the right, next to the "Tab Content" text) and follow the directions in the image below.

    tutorial image

    You can go ahead and delete the "Tab Content" layer now. You should end up with 1 shape representing the Tab Content and the Tab itself.

    tutorial image
    Noobnote:

    People new to Photoshop may not know how I'm showing my guides in some screenshots and not in others. To easily Show Guides and Hide Guides you can simply hit "Ctrl + ;" (Mac: "Cmd + ;").

    Step 25

    Let's add a little texture/color to our new shape. While holding Ctrl (Mac: Cmd) click on the shape's Vector mask thumbnail to put a marquee selection around it.

    tutorial image

    Select your "Marquee Select" tool and hold Alt (Mac: Option) drawing a rectangle selection around the entire content portion of your "Selected Tab", minus the tab itself. When you hold Alt (Mac: Option) and use any Selection tool, it subtracts from the selection. What you should end up with is this:

    tutorial image

    Go to Select > Modify > Contract and input 2px. You should now have a selection that's contracted 2px.

    tutorial image

    Create a new blank layer and name it "Tab Gradient". With your new layer selected in the layers palette, fill the marquee selection with #f2f7fb. Give this layer the following Gradient Overlay layer styles.

    tutorial image

    Your tab should now look like this:

    tutorial image

    Step 26

    Let's do the same thing with the bottom section of our "Selected Tab". Just hold Ctrl (Mac: Cmd) and click the "Selected Tab" Vector mask thumbnail to make a selection around the shape. Using the Marquee Selection tool, hold Alt (Mac: Option) and subtract from selection all but approximately 50px height (100% width) of the "Selected Tab". Go to Select > Modify > Contract and input 2px to contract the selection 2px.

    tutorial image

    Create a new layer with the name "Tab Content Gradient" and fill the marquee selection with #f2f7fb. Select the "Tab Gradient" layer and go to Layer > Layer Style > Copy Layer Style. Select the "Tab Content Gradient" layer and go to Layer > Layer Style > Paste Layer Style. You should now have a gradient at the bottom of your "Selected Tab". Double click the "Tab Content Gradient" layer styles and check the "Reverse" checkbox in the Gradient Overlay options.

    tutorial image

    Your "Selected Tab" should now look like what I have below.

    tutorial image

    Step 27

    We're going to add some text to our "Selected Tab". I used Lorem Ipsum for the tab's title using #332a32 for the color and ATcrillee Bold Italic as the font. I chose 18px for the font size. I also added a sub-title to the tab right below the title using #a2badb for the color and Arial Italic (font size 12px).

    tutorial image

    Step 28

    Go ahead and create the other Tab titles using the same fonts, but change the Title color to #f2f7fb.

    tutorial image

    Step 29

    Next, I added some basic content to our "Selected Tab". The text I used is Arial Regular, using #332a32 for color, and a size of 12px.

    Before I started, I added another Horizontal Guide at 870px. This gives our Tab Content a 25px gap from the top.

    I used the following free images from www.sxc.hu:

    This is what I ended up with:

    tutorial image

    The first one is with guides on, the second is without.

    Step 30

    For the footer, I just added some text as some secondary navigation. I also duplicated the logo from the header and resized it to fit in the bottom right of our footer.

    tutorial image

    Last Minute Touches

    I decided I wanted to separate the left from the right in the Main Content section. I used the same technique used in Step 18 to create a vertical beveled border.

    tutorial image

    That's it! If you made it this far, you're probably ready for a break. Here's the final outcome.

    tutorial image

    I'll see you in Part 2. Thanks for reading!

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    Source : noobcube[dot]com